Datoteka:Guardi,Francesco - The Departure of Bucentaur for the Lido on Ascension Day.jpg
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Sažetak
Francesco Guardi: The Doge Alvise IV. Mocenigo on the Bucentaur near the Riva di Sant'Elena
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| Umjetnik/stvaratelj |
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| Naziv |
francuski: Le Départ du Bucentaure vers le Lido de Venise, le jour de l'Ascension  The Departure of Bucentaur for the Lido on Ascension Day Alternative title(s): The Doge on the Bucintoro near the Riva di Sant'Elena |
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| Naslov biblioteke |
Solennità dogali |
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| Vrsta |
slika |
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| Žanr |
marine art |
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| Prikazane osobe |
Alvise Giovanni Mocenigo |
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| Datum | oko između 1775 i 1780 | |||||||||||||||||||||||
| Medij | ulje na platnu | |||||||||||||||||||||||
| Dimenzije | visina: 66 cm; Širina: 101 cm | |||||||||||||||||||||||
| Muzejska zbirka |
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| Lokacija |
Peintures italiennes, room 23: Les fêtes vénitiennes. Denon, 1st floor. This work is part of the collections of the Louvre (Department of Paintings). |
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| Inventarni broj |
INV 20009  |
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| Povijest predmeta |
English: This painting entered the Louvre as a result of a confiscation in 1797 of the Count de Pestre de Seneffe's collection. It was selected by the Louvre, with eleven other paintings in the same series, at the Hôtel de Nesle; it was then sent to the Muséum de Toulouse (now a museum of natural history), which subsequently handed it back to the Louvre in exchange for a portrait by Ingres and another painting by Guardi, in 1952. Français : Saisie révolutionnaire de la collection du comte Joseph François Xavier de Pestre de Seneffe, 1797 |
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| Napomene |
Architectural painting translate Veduta Part of Solennità dogali. English: This work is one of a series of twelve paintings representing the Solennità dogali (The Doge's Solemnities), in which the artist has faithfully copied the scenes drawn by Canaletto and engraved by Giambattista Brustolon to commemorate the festivities at the coronation of Alvise IV Mocenigo (1763 - 1778), in 1763. This has led to some confusion, and the canvases were formerly attributed to Canaletto, though their style was quite unmistakably that of Guardi.
Under the First French Empire, the series was unfortunately broken up: seven remained in the Louvre, one was sent to Brussels, two to Nantes, one to Toulouse and one to Grenoble. The return in 1952 of the Toulouse painting to the Louvre, through the aforementioned exchange, has been the first step in an attempt to reassemble the set and display them in a special room. Today ten paintings of the series are exhibited in the Louvre. This painting and another in the series represent the Festa della Sensa, which took place each year on Ascension Day, the anniversary of the setting out of Doge Pietro II Orseolo's expedition, which achieved the conquest of Dalmatia in c. 1000. In a magnificent state barge, known in fact as the Bucentaur (It. Bucintoro), the Doge visited the Lido and celebrated the marriage of Venice with the Adriatic Sea, by casting a ring into the waters. The Doge on the Bucentaur at San Niccolò del Lido by Francesco Guardi (c.1766-70) This particular canvas shows the Bucentaur leaving Venice. Another in the series represents the Doge going to hear Mass at San Nicolò al Lido.
Français : Ces dix tableaux font partie d'une série de douze évoquant les solennités organisées en 1763 lors de l'élection du doge Alvise IV Mocenigo (1763 - 1778), qui est peut-être à l'origine de leur commande. Guardi a peint les cérémonies qui eurent lieu en mai 1763, ainsi que les fêtes qui les suivirent à divers moments de l'année. La série a sans doute été peinte entre 1775 et 1780, d'après des gravures de Giambattista Brustolon réalisées à partir de 1766 sur des dessins de Canaletto. Quatre de ces tableaux sont déposés par le Louvre depuis 1802: le doge à San Marco (Morassi 243, Bruxelles, musée des beaux-arts), le doge sur la place San Marco (Morassi 244, Grenoble, musée de peinture et de sculpture), le doge remercie le Conseil Majeur (Morassi 246) et le doge offre à déjeuner aux ambassadeurs (Morassi 254, Nantes, musée des beaux-arts); numéros d'inventaire des autres éléments : inv 319, inv 320, inv 321, inv 322, inv 323, inv 324, inv 325 |
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| Referencija |
Musée du Louvre, Atlas database: entry 1811 Joconde database: entry 000PE025560 |
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| Normativni nadzor | ||||||||||||||||||||||||
| Izvor/fotograf | The Yorck Project (2002) 10.000 Meisterwerke der Malerei (DVD-ROM), distributed by DIRECTMEDIA Publishing GmbH. ISBN: 3936122202. | |||||||||||||||||||||||
| Dopuštenje (Naknadna uporaba ove datoteke) |
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Licencija
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Ovo je djelo u javnom vlasništvu u zemlji podrijetla i u drugim zemljama s rokom trajanja autorskih prava za života autora plus 100 godina ili manje. Ovo je djelo u javnom vlasništvu u SAD-u zato jer je objavljeno (ili registrirano pri Uredu za autorska prava Sjedinjenih Američkih Država) prije 1. siječnja 1929. |
| Ova datoteka je identificirana kao slobodna od poznatih ograničenja po zakonu o autorskim pravima, uključujući sva povezana i srodna prava. | |
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The work of art depicted in this image and the reproduction thereof are in the public domain worldwide. The reproduction is part of a collection of reproductions compiled by The Yorck Project. The compilation copyright is held by Zenodot Verlagsgesellschaft mbH and licensed under the GNU Free Documentation License.
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| Datum/Vrijeme | Minijatura | Dimenzije | Suradnik | Komentar | |
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| sadašnja | 17:14, 19. svibnja 2005. | | 3.200 × 2.139 (971 KB) | File Upload Bot (Eloquence) | {{Painting| |Title=<br /> ** ''de:'' Abfahrt des Bucentaur zum Lido |Technique=<br /> ** ''de:'' Öl auf Leinwand |Dimensions=<br /> ** ''de:'' 66 × 100 cm |Location=<br /> ** ''de:'' Paris |Country=<br /> ** ''de:'' Italien |Gallery=<br /> ** ''de:'' Mu |
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